![](images/FP_01_4.jpg)
![Minari Screenplay Book](images/Minari0_low.jpg)
![Minari Screenplay Book](images/Minari1.jpg)
![Minari Screenplay Book](images/Minari2.jpg)
![Minari Screenplay Book](images/Minari3.jpg)
![Minari Screenplay Book](images/Minari5.jpg)
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![Image RIP: After Printing, Work & Planet Earth](images/ImageRIP_0.jpg)
![Image RIP: After Printing, Work & Planet Earth](images/ImageRIP_1.jpg)
![Image RIP: After Printing, Work & Planet Earth](images/ImageRIP_2.jpg)
![Image RIP: After Printing, Work & Planet Earth](images/ImageRIP_3.jpg)
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![negotiating ungers 2. the oberhausen institute and the materiality of the social](images/Ungers_0.jpg)
Commissioned by Common Room. 2023
![negotiating ungers 2. the oberhausen institute and the materiality of the social](images/Ungers_1.jpg)
Commissioned by Common Room. 2023
![negotiating ungers 2. the oberhausen institute and the materiality of the social](images/Ungers_2_bg.jpg)
Commissioned by Common Room. 2023
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![Farshad Farzankia’s solo exhibition Ten Thousand Eyes](images/FF_0.jpg)
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
![Farshad Farzankia’s solo exhibition Ten Thousand Eyes](images/FF_1.jpg)
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
![Farshad Farzankia’s solo exhibition Ten Thousand Eyes](images/FF_2.jpg)
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
![Farshad Farzankia’s solo exhibition Ten Thousand Eyes](images/FF_3.jpg)
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
![Farshad Farzankia’s solo exhibition Ten Thousand Eyes](images/FF_4.jpg)
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
![Farshad Farzankia’s solo exhibition Ten Thousand Eyes](images/FF_5.jpg)
Designed comprehensive materials (poster, catalogue, merchandise) and motion graphics incorporated creative coding. Designed in collaboration with Hyung Cho. 2022
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![All at Once. Yale Graphic Design MFA Thesis Show](images/rb_check.jpg)
In collaboration with Milo Bonacci, Furqan Jawed, Mengyi Qian, Bianca Ibarlucea, and Jun Jung. 2021
![All at Once. Yale Graphic Design MFA Thesis Show](images/rb_check_2.jpg)
![All at Once. Yale Graphic Design MFA Thesis Show](images/rb_check_3.jpg)
![All at Once. Yale Graphic Design MFA Thesis Show](images/AAO_0.jpg)
In collaboration with Milo Bonacci, Furqan Jawed, Mengyi Qian, Bianca Ibarlucea, and Jun Jung. 2021
![All at Once. Yale Graphic Design MFA Thesis Show](images/AAO_2.jpg)
In collaboration with Milo Bonacci, Furqan Jawed, Mengyi Qian, Bianca Ibarlucea, and Jun Jung. 2021
![All at Once. Yale Graphic Design MFA Thesis Show](images/AAO_4.jpg)
In collaboration with Milo Bonacci, Furqan Jawed, Mengyi Qian, Bianca Ibarlucea, and Jun Jung. 2021
![All at Once. Yale Graphic Design MFA Thesis Show](images/rb_check_4.jpg)
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![Nike Future Movement Campaign identity design.](images/NikeFF_1.jpg)
![Nike Future Movement Campaign identity design.](images/NikeFF_2.jpg)
![Nike Future Movement Campaign identity design.](images/NikeFF_3.jpg)
![Nike Future Movement Campaign identity design.](images/NikeFF_5.jpg)
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![OPEN YY Rebranding](images/OpenYY_1.jpg)
![OPEN YY Rebranding](images/OpenYY_2_2.jpg)
![OPEN YY Rebranding](images/OpenYY_2.jpg)
![OPEN YY Rebranding](images/OpenYY_3.jpg)
![OPEN YY Rebranding](images/OpenYY_4.jpg)
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Design System
![Verizon One Digital Design System](images/od_2_2.gif)
![Verizon One Digital Design System](images/od_7.jpg)
![Verizon One Digital Design System](images/od_3.jpg)
![Verizon One Digital Design System](images/od_4.jpg)
![Verizon One Digital Design System](images/od_8.jpg)
![Verizon One Digital Design System](images/od_5.jpg)
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![Verizon myPlan Discovery Tool](images/vz_ixd_0.jpg)
Product Design
![Verizon myPlan Discovery Tool](images/vz_ixd_1.jpg)
![Verizon myPlan Discovery Tool](images/vz_ixd_1_2.jpg)
![Verizon Complete Home Interactive Tool](images/vz_ixd_2.jpg)
![Verizon Complete Home Interactive Tool](images/vz_ixd_3.jpg)
![Verizon myPlan Discovery Tool](images/vz_ixd_5_2.jpg)
Product Design
Product Design
![Verizon Device Showcase 3.0](images/vz_ixd_6.jpg)
Product Design
![Verizon Promo Tool](images/vz_ixd_7.jpg)
Product Design
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![Verizon Showcase Platform Art Direction](images/vz_showcase_1.jpg)
Art Direction
![Verizon Brand Accessories Showcase](images/vz_showcase_2.jpg)
![Magsafe Accessories Showcase](images/vz_showcase_3.jpg)
![Samsung Galaxy Z Fold4 Showcase](images/vz_showcase_4.jpg)
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![Disquietude. architecture and energy in portugal](images/Lisbon_0.jpg)
![Disquietude. architecture and energy in portugal](images/Lisbon_1.jpg)
![Disquietude. architecture and energy in portugal](images/Lisbon_3.jpg)
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![I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given.](images/Thesis_1.jpg)
![I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given.](images/Thesis_0.jpg)
![I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given.](images/Thesis_4.jpg)
![I think survival is easy: you just keep moving forward with what you have, or what’s left of what you were given.](images/Thesis_5.gif)
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![Found Presence, A site-specific, temporal mark made with reflective spray,](images/FP_01_4.jpg)
![Found Presence, A site-specific, temporal mark made with reflective spray,](images/FP_02_2.jpg)
![Found Presence, A site-specific, temporal mark made with reflective spray,](images/FP_03.jpg)
![Found Presence, A site-specific, temporal mark made with reflective spray,](images/FP_05.jpg)
![Found Presence, A site-specific, temporal mark made with reflective spray,](images/FP_06.jpg)
![Found Presence, A site-specific, temporal mark made with reflective spray,](images/FP_08.gif)
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![Conference identity for Queering Space](images/QS_1.jpg)
![Conference identity for Queering Space](images/QS_2.png)
![Conference identity for Queering Space](images/QS_3 copy.jpg)
![Conference identity for Queering Space](images/QS_2.jpg)
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![To Hear No Echo, Exhibition identity designed for the Yale School of Art M.F.A. Sculpture Thesis show. In collaboration with Mengqi Qian.](images/THNE_0.jpg)
![To Hear No Echo, Exhibition identity designed for the Yale School of Art M.F.A. Sculpture Thesis show. In collaboration with Mengqi Qian.](images/THNE_0_bg2.jpg)
![Custom typeface designed for the exhibition. In collaboration with Mengqi Qian.](images/THNE_1.gif)
![Custom typeface designed for the exhibition. In collaboration with Mengqi Qian.](images/THNE_2.png)
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![Conference identity for Queering Space](images/JY_0.jpg)
![Project 1 Image 1](images/jos.jpg)
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![Poster for the film ‘Awoke,’](images/awoke_low.jpg)
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![Identity designed for an artist collective 'Friend of a friend'](images/fof_1.jpg)
![Identity designed for an artist collective 'Friend of a friend'](images/fof_2.jpg)
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![Useful Object](images/UO_1.jpg)
![Useful Object](images/UO_0.jpg)
![Useful Object](images/UO_2.jpg)
![Useful Object](images/UO_3.jpg)
![Useful Object](images/UO2_4.jpg)
![Useful Object](images/UO2_0.jpg)
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![Spring Forward Fall Back](images/SFFB_0.jpg)
![Spring Forward Fall Back](images/SFFB_1.jpg)
![Spring Forward Fall Back](images/SFFB_2.jpg)
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![I hope you find me well, 200501.smi](images/smi_01.jpg)
![I hope you find me well, 200501.smi](images/smi_02.jpg)
![I hope you find me well, 200501.smi](images/smi_03.jpg)
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![Yale School of Art Photograpgy department spring 2021 visiting lectures](images/YP_0.jpg)
![Yale School of Art Photograpgy department spring 2021 visiting lectures](images/YP_3.gif)
![Yale School of Art Photograpgy department spring 2021 visiting lectures](images/YP_1.jpg)
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![Forgetfulness](images/for_1.jpg)
![Forgetfulness](images/for_2.jpg)
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![Ethos, Revival typeface based on the original drawings of Old Style Antique No. 7.](images/Ethos_0.jpg)
![Ethos, Revival typeface based on the original drawings of Old Style Antique No. 7.](images/Ethos_1.jpg)
![Ethos, Revival typeface based on the original drawings of Old Style Antique No. 7.](images/Ethos_2.jpg)
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![While you are still high on popper,](images/pp_1.jpg)
![While you are still high on popper,](images/pp_2.jpg)
![While you are still high on popper,](images/pp_3.jpg)
![While you are still high on popper,](images/pp_4.jpg)
![While you are still high on popper,](images/pp_5.jpg)
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![Juicy: A Custom Typeface Made for the Anthology 'While You Are Still High on Poppers'](images/JC_01.jpg)
![Juicy: A Custom Typeface Made for the Anthology 'While You Are Still High on Poppers'](images/JC_2.jpg)
![Juicy: A Custom Typeface Made for the Anthology 'While You Are Still High on Poppers'](images/JC_3.jpg)
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![Something Yellow Something Smooth](images/SYSS_0.jpg)
![Something Yellow Something Smooth](images/SYSS_1.jpg)
![Something Yellow Something Smooth](images/SYSS_2.jpg)
![Something Yellow Something Smooth](images/SYSS_5.jpg)
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![Note on appropriation, Kinross, modern typography(1992,2004,2009,2019)](images/LI_1.jpg)
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![Poster for a talk by Elmgreen and Dragset](images/ED_0.jpg)
![Poster for a talk by Elmgreen and Dragset](images/ED_1.jpg)
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![Poster designed for graphic design reading club.](images/book.jpg)
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![(My Contribution) For a Great America](images/cp_0.jpg)
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![Kimmy, Revival typeface based on the original drawings of Double Pica Sans-serif Itakic.](images/kimmy_1.png)
![Kimmy, Revival typeface based on the original drawings of Double Pica Sans-serif Itakic.](images/kimmy_2.png)
![Kimmy, Revival typeface based on the original drawings of Double Pica Sans-serif Itakic.](images/kimmy_3.jpg)
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![Note on appropriation, Kinross, modern typography(1992,2004,2009,2019)](images/NOA_0.jpg)
![Note on appropriation, Kinross, modern typography(1992,2004,2009,2019)](images/NOA_2.gif)
![Note on appropriation, Kinross, modern typography(1992,2004,2009,2019)](images/NOA2.jpg)
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![Very Flexible Identity](images/VFI_2.jpg)
![Very Flexible Identity](images/VFI_0.jpg)
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![Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.](images/gardening_01.jpg)
![Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.](images/gardening_01_2.jpg)
![Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.](images/gardening_05.jpg)
![Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.](images/gardening_03.jpg)
![Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.](images/gardening_06.jpg)
![Gardening is hard work (2019), A week long performance. Glass beads, Mirrors, Found objects. Size Variable.](images/gardening_08.jpg)
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![Screensaver](images/scs_0.jpg)
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![Drea Type specimen Poster](images/Dreja.jpg)
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![Yo! Enriching Emotional Quality of Single-Button Messengers through Kinetic Typography](images/yo_0.jpg)
![Yo! Enriching Emotional Quality of Single-Button Messengers through Kinetic Typography](images/yo_2.jpg)
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![HapThimble: A Wearable Haptic Device towards Usable Virtual Touch Screen](images/htb.jpg)
![HapThimble: A Wearable Haptic Device towards Usable Virtual Touch Screen](images/htb2.jpg)
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